EVA FIECHTER
SOPRANO
OPERA BASEL: “I DUE FOSCARI” IN THE WENKENHOF RIDING HALL IN RIEHEN
"the discovery of the evening was clearly Eva Fiechter. This young singer masters the demanding role of Lucrezia Contarini-Foscari with her extraordinary, multi-faceted voice. Even in the big ensembles she appears to feel very comfortable gliding above without ever needing to push her voice."
Opernmagazin, September 2019
REVIEWS
BIANCA: V. BELLINI - OPERA ST-MORITZ - 2016
« DIE SOPRANISTIN EVA FIECHTER GAB EINE ENERGISCHE BIANCA, GEFIEL MIT AUSGEREIFTEN KOLORATUREN UND FULMINANTER DRAMATIK. IM BERÜHRENDEN DUETT MIT IHRER DIENERIN ELOISA (ANNA NERO) ZEIGTE SIE AUCH LYRISCHE QUALITÄTEN. DAS MIT HARFE UND ENGLISCHHORN SOLISTISCH BEGLEITETE STÜCK LIESS DAS BELCANTOGENIE BELLINIS AUFBLITZEN. »
« Soprano Eva Fiechter was an energetic Bianca, much appreciated by her sophisticated coloraturas and her intense dramatism. In a stirring duet […] she also shows great lyrical qualities.”
Badische Zeitung, August 2016
“... BIANCA, MIT EINER GROßEN ROMANZE, WIRKUNGSVOLL UND SEHR LYRISCH GESUNGEN VON DER KOLORATURSICHEREN EVA FIECHTER.”
"...Eva Fiechter was very impressive in the role of Bianca that she sang with great romance, beautiful lyricism and great ease in the coloratura."
Die Oberbadische, August 2016
Musik&Theater, June 2016
“ VOR ALLEM DIE SOPRANISTIN EVA FIECHTER ALS BIANCA ZEIGTE SICH BEGEISTERND FULMINANT IN ALLEN LAGEN VON DER PACKENDEN DRAMATIK EMOTIONAL BEWEGENDER ERSCHÜTTERUNGEN BIS HIN ZU DEN FLIRRENDEN KOLORATUREN.
" Soprano Eva Fiechter was extremely impressive in the role of Bianca mastering all the registers of her voice from her striking dramatic intensity to her blazing coloratura."
« DIE SOPRANISTIN EVA FIECHTER (BIANCA) UND DEM TENOR MICHAEL FEYFAR (FERNANDO) GESTALTEN IHRE ANSPRUCHSVOLLEN PARTIEN MIT VIEL ELAN UND MACHEN IHR GROSSES DUETT IM ZWEITEN AKT ZUM MUSIKALISCHEN HÖEPUNKT DES ABENDS. »
Neue Zürcher Zeitung, June 2016
“BIANCA E FERNANDO“ VON VINCENZO BELLINI VERSPRICHT VIEL SPANNUNG, DRAMA UND EMOTIONEN. […] SO ENTSTEHEN AUF KLEINEM RAUM GROSSARTIGE EFFEKTE – GANZ OHNE GROSSE BÜHNENMASCHINERIE UND DENNOCH GANZ IM SINNE DER OPER UND IHRER MUSIK. DAZU KOMMEN DIE AUFWÄNDIGEN UND KUNSTVOLLEN KOSTÜME, DIE FÜR EINEN WAHREN AUGENSCHMAUS VON FARBEN UND FORMEN SORGEN. DIE ZUSCHAUER BEFINDEN WÄHREND DER AUFFÜHRUNG MITTEN IM GESCHEHEN – UND WERDEN VON DEN DARSTELLERN UMRINGT. DIESE SIND ALLESAMT JUNGE, HOCHTALENTIERTE SCHWEIZER SÄNGERINNEN UND SÄNGER: EVA FIECHTER (BIANCA) AUS GENF, MICHAEL FEYFAR (FERNANDO) AUS BASEL UND FLURIN CADUFF (FILIPPO) AUS GRAUBÜNDEN.”
Migros-Kultureprozent Agenda, August 2016
DONNA ANNA: W. -A. MOZART - KUWAIT OPERA - AHMADI MUSIC GROUP - SALMIYA THEATRE – 2016
"اما الاداء الصوتي فلعل الفتاة التي أدت دور دونيا آنا كانت الأكثر تميزا، من خلال صوتها العذب وقدرتها الفائقة على التلوين"
"Regarding the singers, Eva Fiechter who embodied the role of Donna Anna was absolutely remarkable by her rich and magnificent voice as well as her extraordinary capacity to colour the music.”
The Arab Times, April 2016
“A TEAM OF INTERNATIONAL SOLOISTS SEIZED AVIDLY THE VIBRANT FEELINGS OF MOZART’S CLASSIC TO PRODUCE AN OPERA THAT WAS PROPELLED BY SHEER INVENTION, EMOTIONAL PUNCH AND ONSTAGE TALENT. THIS WAS THE ONLY FULLY STAGED OPERA IN THE NORTHERN GULF THIS YEAR. THE INTERNATIONAL SOLOISTS WHO VISITED KUWAIT TO PERFORM SPOKE WITH THE TIMES KUWAIT IN AN EXCLUSIVE INTERVIEW ABOUT THEIR ROLES AND THEIR CAREER AS OPERA SINGERS. HERE ARE SOME EXCERPTS FROM THE INTERVIEW. EVA FIECHTER, A HALF SWISS HALF GREEK, PORTRAYED THE CHARACTER DONNA ANNA, AN EMOTIONALLY COMPLEX YOUNG NOBLE LADY WHO WAS ENGAGED TO DON OTTAVIO AND SHE RETALIATES FOR HIS ABUSE AGAINST HER. SHE SAID ABOUT HER EXPERIENCE WITH HER CRAFT, “FOR ME, OPERA IS ONE OF THE MOST COMPLETE FORM OF ART. IT LINKS MUSIC, THEATER, PAINTING AND CLOTHES DESIGN TOGETHER. ALSO, IT GIVES THE OPPORTUNITY TO EXPLORE DIFFERENT CHARACTERS EVERY TIME YOU EMBODY A NEW ROLE AND TEACHES YOU A LOT ABOUT HISTORY AND HUMAN PSYCHOLOGY. “
The Times Kuwait, April 2016
FIORDILIGI: W.A. MOZART - COSI FAN TUTTE - LYRIC OPERA STUDIO WEIMAR - MON AMI THEATRE - 2016
"VOR ALLEM FIORDILIGI EVA FIECHTER UNTERNAHM MIT KOLORATUREN UND VERZIERUNGEN WAHRE HÖHENFLÜGE AUF DEN FLÜGELN DES SOPRANGESANGS. SEHR SOUVERÄN SCHLUG IHR GESANGSPENDEL ZWISCHEN KINDLICH-NAIVER LEICHTIGKEIT UND DEZENT-TRAGISCHER WITWENSCHAFT AUF DEM FUNDAMENT VON STIMMSITZ UND TECHNISCHER REIFE AUS."
“With her coloraturas and her ornamentations the Fiordiligi of Eva Fiechter reached some dazzling summits in the soprano register. Along with a secure technique and a full-bodied voice she poised perfectly her singing in between a childlike and naïve lightness and a reserved and tragic widowhood.”
Online Merker, February 2016
MICHAELA: G. BIZET - OPÉRA SOLEIL FESTIVAL- 2015
"…MICHAELA (EVA FIECHTER) ENVOUTANTE ET TORTURÉE.”
“…The bewitching and tortured Michaela from Eva Fiechter.”
La Dépêche, August 2015
MANON: J. MASSENET - IOA RECITAL - UNNA LICHTKUNSTZENTRUM - 2013
"EVA FIECHTER INTERPRETIERT DIE ARIE DER MANON IN PACKENDER DRAMATIK. IHR STIMMCHARAKTER, MIMIK UND GESTIK RUFEN SPONTANE BRAVORUFE HERVOR.”
“Eva Fiechter interprets the aria from Manon with gripping drama. The color of her voice, her facial expressions and her body gesture call out spontaneous calls of bravo.”
Unna Newspaper, July 2013
GIANNETTA: G. DONIZETTI - L'ELISIR D'AMORE - OPÉRA DE LAUSANNE - 2012/2013
" THE YOUNG SWISS SOPRANO EVA FIECHTER MADE A DELIGHTFUL IMPRESSION AS GIANETTA.”
Opera, October 2012
VESPETTA: G.-PH. TELEMAN - PIMPINONE - OPÉRA DE LAUSANNE - ROUTE LYRIQUE - 2010/2011
«EVA FIECHTER S’EN DONNE ÀCOEUR JOIE DANS UN SPECTACLE PARFAITEMENT RÔDÉ OÙ ELLE PARAIT TROUVER AUTANT DE PLAISIR QUE LE PUBLIC […] LE JEU DE LA COMÉDIENNE-CHANTEUSE, EN PARFAITE SYMBIOSE AVEC UNE MUSIQUE à LA FOIS LÉGÈRE ET SAVANTE, PÉTILLANTE ET IMAGINATIVE…”
“ Eva Fiechter is having a tremendous time in this well-oiled show where she seems to take as much pleasure as the public do […] the acting of the singer-comedian is in perfect symbiosis with a music that is both light and erudite, sparkling and imaginative…”
Anaclase, January 2011
“ROUÉE, MANIPULATRICE ARROGANTE, LA VESPETTA D’EVA FIECHTER FERRE SA PROIE AVEC UNE FACILITÉ DECONCERTANTE DE LA MÊME MANIÈRE QU’ELLE ENCHAINE SES AIRS…”
“Cunning, manipulative, arrogant, Eva Fiechter’s Vespetta ferries her pray with a baffling ease the same way she sings her arie one after the other”
L’Hebdo, July 2010
“EVA FIECHTER CAMPE UNE VESPETTA PLEINE DE VERVE ET FAIT MONTRE D’UN BEAU REGISTRE VOCAL...”
“Eva Fiechter embodies a Vespetta full of verve and shows a beautiful vocal register...”
Le Nouvelliste, July 2010
BOULOTTE: J. OFFENBACH – BARBE-BLEUE - OPÉRA DE FRIBOURG/THÉÂTRE MUSICAL DE BESANÇON - 2009/2010
“…EVA FIECHTER, NE FAISANT QU’UNE BOUCHÉE DE SON RÔLE, APPAREMENT SIMPLE, MAIS EN RÉALITÉ BIEN PEU FACILE À CHANTER, CAR ÉCRIT DANS UNE TESSITURE HYBRIDE, À MI-CHEMIN ENTRE LE MEZZO ET LE SOPRANO…”
“Eva Fiechter makes a short work of her role, that might seem easy but is in reality very difficult to sing because written in a hybrid tessitura, halfway between the soprano and the mezzo-soprano. “
www.classiquenews.com, March 2010
“ON RETIENDRA LA REMARQUABLE PERFORMANCE, TANT AU NIVEAU VOCAL QUE DANS SON JEU D’ACTEUR, D’EVA FIECHTER EN BOULOTTE POLISSONNE ET ATTENDRISSANTE…”
“Eva Fiechter’s memorable performance as a naughty and appealing Boulotte, outstanding both in terms of acting and singing…”
La Gruyère, January 2010
“EVA FIECHTER CAMPE LE RÔLE DE BOULOTTE AVEC ENTRAIN ET PANACHE. VOIX CORSÉE ET EXPRESSIVE…”
“Eva Fiechter embodies the role of Boulotte with wit and panache. The voice is full-bodied and expressive.”
Le Temps, January 2010
“BOULOTTE NECESSITE UN TEMPERAMENT DE FEU DON’T SEMBLE DOTÉE EVA FIECHTER, TRÈS PROMETTEUSE…”
“The role of Boulotte needs a fiery temperament, which the very promising soprano Eva Fiechter has.”
Opéra Magazine, January 2010
“CERTAINS PERSONNAGES SONT CARRÉMENT PARFAITS, COMME LA BOULOTTE D’EVA FIECHTER…”
“Some of the characters, such as Eva Fiechter’s Boulotte, are just perfects.”
L’Hebdo, January 2010
